· "LET IT BE" LP

Let It Be is the twelfth and final studio album by the English rock band The Beatles. It was released on 8 May 1970 by the band's Apple Records label shortly after the group's announced breakup. Most of Let It Be was recorded in January 1969, before the recording and release of the album Abbey Road. For this reason, some critics and fans, such as Mark Lewisohn, argue that Abbey Road should really be considered the group's final album and Let It Be the penultimate. Let It Be was originally intended to be released prior to Abbey Road at some point during mid-1969 under the title Get Back but the Beatles were unhappy with this version of the album, which was mixed and compiled by Glyn Johns, and it was temporarily shelved. A new version of the album was created from the studio tapes by Phil Spector in 1970 and then finally released as Let It Be. The album acts as a soundtrack album for the 1970 motion picture of the same name, which is a documentary film of the band rehearsing and recording the album. While two songs from the sessions were released as singles prior to this album's release, "Get Back" and "Let It Be", the songs were remixed by Spector for release on this album. The rehearsals and recording sessions for the album did not run smoothly due to the increasing level of acrimony between the four Beatles. The group bickered and argued throughout the album's production. George Harrison, at one point during the rehearsals, walked out and quit the group after severely arguing with both Paul McCartney and John Lennon, only to be coaxed back some days later. The film version is famous for showcasing a number of conflicts between the group members and has frequently been referred to as a documentary intended to show the making of an album but instead showing "the break-up of a band". Critical and fan reaction to the album on its release was fairly negative. Opinion on the album today is largely divided, though most critics appear to regard Let it Be as weaker than most of the Beatles' previous works. Despite receiving a largely negative review from Rolling Stone magazine at the time of its release, the album was later ranked number 86 in the magazine's list of the 500 greatest albums of all time in 2003.

https://mega.co.nz/#!bVd0XC6L!TAsPgF6aRSzPlzip1GfOyH-mEF4HJIpsyv97c63w2Js

01- Two Of Us
02- Dig A Pony
03- Across The Universe
04- I Me Mine
05- Dig It
06- Let It Be
07- Maggie Mae
08- I've Got A Feeling
09- One After 909
10- The Long And Winding Road
11- For You Blue
12- Get Back

· "YELLOW SUBMARINE" LP stereo

Yellow Submarine is a soundtrack album released by The Beatles corresponding with the film of the same name released on Apple Records (catalogue number PCS 7070 (stereo) / PMC 7070 (Mono) in the United Kingdom and SW 153 in the United States.) "Only a Northern Song" was originally recorded during the sessions for the Sgt. Pepper's Lonely Hearts Club Band album, although it did not appear there. Most of the song was recorded in February 1967. "It's All Too Much" was recorded just before the release of Sgt. Pepper, although it was shortened (from eight minutes) for Yellow Submarine. "Hey Bulldog" (recorded in February 1968) and "All Together Now" (recorded in May 1967) were always intended for the film soundtrack. "Baby You're a Rich Man" was also originally intended for the film soundtrack, but was released as the B-side to "All You Need is Love" instead and was not included in the Yellow Submarine album. Two of the songs on the album had previously been released. "Yellow Submarine" had already appeared on Revolver in August 1966 and as a hit single at about the same time. "All You Need Is Love" had been a hit single in 1967 and had also appeared in the United States edition of Magical Mystery Tour later that year. The song makes its true stereo debut in this album. The song was previously issued in mono or fake stereo on the U.S. Magical Mystery Tour album. The second side features arrangements (recorded specifically for the album) of George Martin's orchestral score. After mixed response to the album upon its release, The Beatles considered releasing Yellow Submarine as a five-track mono EP, without the film score but including the then-unreleased "Across the Universe" as a bonus track. The EP was mastered, but never issued. The Beatles had previously released popular songs from their LPs as EPs in the British market. In contrast to how the film was received, Yellow Submarine is usually considered The Beatles' weakest release, as it featured only six songs by the band. It was one of the few Beatles releases not to reach #1 on either the UK or US charts. Its highest position was #2 in the US (curiously, it was knocked off the top by The Beatles, which had been released two months before). The Beatles did not consider it a studio album, since the four previously-unreleased tracks on it were recorded at various times in 1967 and early 1968.

https://mega.co.nz/#!KFd1DJSR!Wds3Bgh4xRRixX9H-AbErD_yfrdUkP8MWS3xrZERjVg

01- Yellow Submarine
02- Only a Northern Song
03- All Together Now
04- Hey Bulldog
05- It's All Too Much
06- All You Need is Love
07- Pepperland
08- Sea of Time
09- Sea of Holes
10- Sea of Monsters
11- March of the Meanies
12- Pepperland Laid Waste
13- Yellow Submarine in Pepperland

· "MAGICAL MYSTERY TOUR" LP stereo

Capitol Records released Magical Mystery Tour as full-length album because EPs were not as popular in the US as they were in the UK. The American version was released in late November 1967, its cover depicts the EP's artwork in an orange border with a list of song titles above it. The Magical Mystery Tour LP was divided into two halves: The first side was the film soundtrack, and the second side was a collection of A- and B-sides released in 1967. When standardising The Beatles' releases for Compact Disc in the late 1980s, the American LP version (which was imported into the UK, peaked on the British album charts at #31 as an American import, and was issued by Parlophone Records in Britain in 1976) was included with the British album line-up instead of the British EP, with true stereo recordings replacing the earlier processed ones. (The true-stereo version of the Magical Mystery Tour LP was first issued in Germany in 1971, but the 1976 Parlophone issue used the Capitol masters with the fake stereo.) Capitol quietly reissued the Magical Mystery Tour LP using the German masters in the US with catalogue number C1-48061 in true stereo. This is the true stereo German master.

https://mega.co.nz/#!SNtFkILJ!PJ0B8x1o4U3_aff-3HL10gtVuZwwa6Pul7Gc2JWaN1Q

01- Magical Mystery Tour
02- The Fool On The Hill
03- Flying
04- Blue Jay Way
05- Your Mother Should Know
06- I Am The Walrus
07- Hello Goodbye
08- Strawberry Fields Forever
09- Penny Lane
10- Baby You're A Rich Man
11- All You Need Is Love

· "MAGICAL MYSTERY TOUR" LP mono

"Magical Mystery Tour" is the name of an original 6-song double EP by The Beatles, first released in late 1967. It is the soundtrack to a one-hour television film that was originally aired, in black and white, in the UK in 1967. Initially released as a double EP in the UK, the recording was expanded to a full album on subsequent U.S. release, adding several recent singles to the B-side. This has since been adopted by Apple and EMI when the Beatles' discography was being put on Compact Disc, and is the only US release of theirs to do so. While the songs on the EP proved popular, critical and popular response to the television film proved negative. Plans to air it on ABC television in the U.S. were cancelled, and "Magical Mystery Tour" was first shown in the United States only in a special showing as a fundraiser for the Liberation News Service in 1968. There was no other showing in the U.S. until 1974, as a theatrical release on the midnight movies and college circuits, both of which were mainly underground. The movie's soundtrack was far more favourably received. It was released in the UK in December 1967 as a double EP housed in a 24-page book featuring pictures from the film and a comic strip based on events of the film, and was nominated for a Grammy Award for best album in 1968 reaching number 1 in the U.S for eight weeks.

https://mega.co.nz/#!2dEkUaTZ!IPRX6QetDiLRaqTBeaIbghaJ9Otnk7157DtDyE1TRpM

01- Magical Mystery Tour
02- The Fool On The Hill
03- Flying
04- Blue Jay Way
05- Your Mother Should Know
06- I Am The Walrus
07- Hello Goodbye
08- Strawberry Fields Forever
09- Penny Lane
10- Baby You're A Rich Man
11- All You Need Is Love

· "THE BEATLES AT THE MOVIES"

The mono mixes of the songs which were part of the original soundtrack on the films of the Beatles often were different from the mono mixes which were released on the records. As an example, we can say that those on the first film, "A Hard Day's Night", were mixed three times in mono (one for the film in March 1964, one more for the U.S. market in early June, and the last for the UK market in late June) and only once in stereo. The differences on these mixes are very subtle, but anyway here they are for those willing to add them to their collection.

 

https://mega.co.nz/#!nQN3STQY!K-eClTv7fIf-e1hvcx4W0EW9Lsxo5mLAvpEKEV37Jrk

. "HELP!" LP stereo

Original 1965 stereo mix.

 

https://mega.co.nz/#!SJFwlAQJ!e0CJMR-4kDYGkYlKly8zUiviMhEbqThyJJe30ON3mZ0

01- Help!
02- The Night Before
03- You've Got To Hide Your Love Away
04- I Need You
05- Another Girl
06- You're Going To Lose That Girl
07- Ticket To Ride
08- Act Naturally
09- It's Only Love
10- You Like Me Too Much
11- Tell Me What You See
12- I've Just Seen a Face
13- Yesterday
14- Dizzy Miss Lizzy
 

· "HELP!" LP mono

Help! was the fifth Beatles' album and the soundtrack from their film of the same name. Produced by George Martin (now specially hired by the group) for EMI's Parlophone Records, the album contains seven songs that appeared in the film Help!, and seven that did not, including the singles "Help!" and "Ticket to Ride". The album also features the Paul McCartney ballad "Yesterday". Tracks like Lennon's "You've Got to Hide Your Love Away" indicate the influence of Bob Dylan and folk music. Also tracks like "I've Just Seen a Face" the Beatles' sound truly matured into an eclecticism that started to reach beyond the bounds of what had previously been considered rock music. In later years, Lennon said that the title track of the album was a sincere cry for help, as the pressures of the Beatles' fame and his own unhappiness (what he later called his "fat Elvis" period) began to build, and that he regretted turning it from a downbeat song in the style of an upbeat pop song as a result of commercial pressures. George Harrison contributed "I Need You" and "You Like Me Too Much". These were Harrison's first song compositions to be included on a The Beatles album since "Don't Bother Me", from 1963's With The Beatles. In 2003, this album was ranked number 332 on Rolling Stone magazine's list of the 500 greatest albums of all time. This is the original mono mix.

https://mega.co.nz/#!PBV0RL5J!DsTcaiizL7YlsQlwv_1nW2fu7Rs8wtX6VOyoiMbS56o

01- Help!
02- The Night Before
03- You've Got To Hide Your Love Away
04- I Need You
05- Another Girl
06- You're Going To Lose That Girl
07- Ticket To Ride
08- Act Naturally
09- It's Only Love
10- You Like Me Too Much
11- Tell Me What You See
12- I've Just Seen A Face
13- Yesterday
14- Dizzy Miss Lizzy

·"ANOTHER TRACKS OF A HARD DAY'S NIGHT" (USA masters) - The Beatles

What about if Capitol had released the same album as Parlophone, but using their own masters?
Here's the result...

https://mega.co.nz/#!rUMG3R7I!RtHhkm8QuP6DUps_mQZW5QTh7hwoHIFj4giiqZO6JtQ

STEREO:
01- A Hard Day's Night (1962-1966)
02- I Should Have Known Better (Reel Music)
03- If I Fell (Something New)
04- I’m Happy Just To Dance With You (Something New)
05- And I Love Her (Something New)
06- Tell Me Why (Something New)
07- Can’t Buy Me Love (Hey Jude)
08- Anytime At All (Something New)
09- I’ll Cry Instead (Something New)
10- Things We Said Today (Something New)
11- When I Get Home (Something New)
12- You Can’t Do That (Rock & Roll Music)
13- I’ll Be Back (Beatles '65)

MONO:
14- A Hard Day's Night (A Hard Day's Night - UA)
15- I Should Have Known Better (A Hard Day's Night - UA)
16- If I Fell (Something New)
17- I’m Happy Just To Dance With You (Something New)
18- And I Love Her (Something New)
19- Tell Me Why (Something New)
20- Can’t Buy Me Love (A Hard Day's Night - UA)
21- Anytime At All (Something New)
22- I’ll Cry Instead (Something New)
23- Things We Said Today (Something New)
24- When I Get Home (Something New)
25- You Can’t Do That (The Beatles' Second Album)
26- I’ll Be Back (Beatles '65)

Bonus Tracks STEREO:
27- Long Tall Sally (The Beatles' Second Album)
28- I Call Your Name (The Beatles' Second Album)
29- Slow Down (Something New)
30- Matchbox (Something New)

Bonus Tracks MONO:
31- Long Tall Sally (The Beatles' Second Album)
32- I Call Your Name (The Beatles' Second Album)
33- Slow Down (Something New)
34- Matchbox (Something New)

· "A HARD DAY'S NIGHT" UK LP stereo

This is the first Beatles album to be recorded on four-track tape, allowing for good stereo mixes...

https://mega.co.nz/#!OMVSkB5I!alxRNU3-tzI8I37WI_LY7ylWv4151B90YhdvhFamRxE

01- A Hard Day's Night
02- I Should Have Known Better
03- If I Fell
04- I'm Happy Just To Dance With You
05- And I Love Her
06- Tell Me Why
07- Can't Buy Me Love
08- Any Time At All
09- I'll Cry Instead
10- Things We Said Today
11- When I Get Home
12- You Can't Do That
13- I'll Be Back

· "A HARD DAY'S NIGHT" UK LP mono

While showcasing the development of the band's songwriting talents, the album sticks to the basic rock and roll instrumentation and song format. It is notable as the first Beatles album to feature entirely original compositions (and the only one with a song catalogue credited entirely to Lennon-McCartney). The album contains some of their most famous songs, including the title track (with its distinct, instantly recognizable opening chord) and "Can't Buy Me Love", both being transatlantic number one singles for the band. The album and film are said to portray the classic image of the Beatles, as it was released at the height of Beatlemania. George Harrison's resonant 12-string electric guitar leads were hugely influential; the movie helped persuade the Byrds, then folksingers, to plunge all out into rock & roll, and the Beatles (along with Bob Dylan) would be hugely influential on the folk-rock explosion of 1965. The Beatles' success, too, had begun to open the U.S. market for fellow Brits like the Rolling Stones, the Animals, and the Kinks, and inspired young American groups to mount a challenge of their own with self-penned material that owed a great debt to Lennon-McCartney. Side one of the LP contains the songs from the movie soundtrack. Side two contains songs written for, but not included in, the film. In 2000, Q magazine placed A Hard Day's Night at number 5 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 388 on Rolling Stone magazine's list of the 500 greatest albums of all time.

https://mega.co.nz/#!jUlEQQDC!J6qDGQS8hStgZAdw3BOmaHeNePMV31fBDCm7vK6Pzn0

01- A Hard Day's Night
02- I Should Have Known Better
03- If I Fell
04- I'm Happy Just to Dance With You
05- And I Love Her
06- Tell Me Why
07- Can't Buy Me Love
08- Anytime at All
09- I'll Cry Instead
10- Things We Said Today
11- When I Get Home
12- You Can't Do That
13- I'll Be Back

·"Let It Be... Naked" - The Beatles

Let It Be… Naked is a version of the 1970 Let It Be album by The Beatles that was remixed and remastered under the direction of Paul McCartney. The album is presented in a form which Paul McCartney considered closer to its original artistic vision: to "get back" to the rock 'n' roll sound of their early years rather than the orchestral overdubs and embellishments which were added by Phil Spector in the production of the final Let It Be album. Paul McCartney in particular was always dissatisfied with the over produced sound on the Phil Spector remixes, especially for his song "The Long and Winding Road", which he believed was ruined by the process. George Harrison gave his approval for the ...Naked project before he died. McCartney's attitude contrasted with Lennon's from over two decades earlier. In his September 1980 Playboy interview, Lennon had defended Spector's work, saying "-He was given the shittiest load of badly-recorded shit with a lousy feeling to it ever, and he made something of it.-" The origin of the Let It Be...Naked project arose during a chance reunion of Paul McCartney and "Let It Be" film director Michael Lindsay-Hogg on an airplane flight in the early 2000s. McCartney and Lindsay-Hogg discussed the unavailability of the film on both VHS and DVD, which led to discussion of a possible remixed "soundtrack" to accompany a proposed future DVD release. In early 2002, McCartney recruited Abbey Road in-house engineers Paul Hicks, Guy Massey and Allan Rouse to go back into the vaults and assemble a brand new studio album from the 30 reels of tape recorded during the January 1969 sessions. Since much of the Let It Be material had been recorded live, many sound anomalies existed on the tapes. Hicks, Massey and Rouse did extensive work digitally cleaning up each individual track of every song before remixing it. Some takes were edited together to come up with the best possible final version. In the case of one song—"Dig a Pony"—one errant note sung by John Lennon was even digitally pitch-corrected. Two songs that had been included on the original Let It Be album, the traditional Liverpool folk song "Maggie Mae" and "Dig It" were both excised, as Paul McCartney considered them studio improvisations and too weak for inclusion. In their place was Lennon's "Don't Let Me Down," but rather than the b-side from the single, a composite edit of the two versions from the rooftop concert was inserted. "I've Got a Feeling" was also presented in a new composite edit of its two rooftop concert takes. "Across the Universe," which actually dates from nearly a year before the rest of the album was recorded, was retained, although stripped of almost all of its overdubs and, for the first time on record, played at correct speed. There is also a different solo in the song "Let It Be". Including versions from the original album and the two compilation albums 1 and Anthology 3, it is the fourth version of the "Let It Be" solo to be released by The Beatles. Another striking difference is in McCartney's "The Long and Winding Road," where the Naked producers chose the last recorded take over the rough early take used by Phil Spector for the original album. The original lyric reads "anyway, you'll never know, the many ways I've tried," whereas on this version it reads "anyway, you've always known, the many ways I've tried." Electric guitar and electric piano are also present, played respectively by Harrison and Billy Preston. Naturally, this version is devoid of Phil Spector's orchestral and choral overdubs; the unadorned take from the Let It Be album can be found on the compilation album Anthology 3. The studio dialogue from the original album was removed, as was the dialogue from the rooftop concert that had originally closed the album. Additionally, the running order is quite different from the Let It Be album. After the release of Let It Be... Naked in 2003, critics referred to this CD—with its simpler song versions—as being the "de-Spectorized" version of the original Let It Be album. It was first released in November 2003.





http://www.mediafire.com/?j2txnmtgmjd

01- Get Back
02- Dig a Pony
03- For You Blue
04- The Long and Winding Road
05- Two of Us
06- I've Got a Feeling
07- One After 909
08- Don't Let Me Down
09- I Me Mine
10- Across the Universe
11- Let It Be

·"Yellow Submarine Songtrack" - The Beatles

Yellow Submarine Songtrack is a soundtrack album by The Beatles for the 1999 re-release of the 1968 film Yellow Submarine released on 13 September 1999 in the United Kingdom and the following day in the United States. It contains only The Beatles songs used in the film, including tracks absent from the original Yellow Submarine album. The extra tracks replaced the George Martin film score from the original release, while the complete score was included as a DVD audio track in the CD/DVD package featuring the album and film. The songs were fully remixed from the original multitrack tapes for this album, something not done for the original Compact Disc release of The Beatles catalogue in the late 1980s except for Help! and Rubber Soul. The remixed tracks of the album feature many alterations and adjustments from the original stereo mixes. Almost all of The Beatles songs included in the film are on Yellow Submarine Songtrack. An exception is "A Day in the Life", which was not put in because EMI did not want too many songs from Sgt. Pepper's Lonely Hearts Club Band to be included. Although all of the tracks were remixed, the songs included on Songtrack are the standard catalogue recordings (versions) that were previously available on other releases. Consequently, the extra verse of "It's All Too Much" or the off-the-cuff rendition of "Think for Yourself" heard in the film are not included on the album. The title track, "Yellow Submarine" contains the line "a life of ease" from John Lennon that had been missing in prior stereo mixes of the song. The multitrack tapes of "Hey Bulldog" were newly synchronized to create the Songtrack version. Due to the way the song had been originally recorded, the piano and drum performances were inseparable for a new mix. They remain on the left audio channel while snare overdubs performed by Ringo Starr are centred. The automatic double tracking that possibly erroneously continued into the first verse on the 1966 stereo version of "Eleanor Rigby" was corrected in the 1999 remix. The vocals by Paul McCartney are centred and slightly out of synch to the orchestration on this mix. The prior stereo version of "Love You To" contains a shorter fade than the initial mono recording. This shortening is retained in the Songtrack version. Acoustic guitars and percussion are situated at the left channel for the new mix of "All Together Now". McCartney and Lennon's vocals are centred while the chorus is split across the left and right. The background vocals heard on the second verse are more audible and the guitar is clearer. The Songtrack version of "Only a Northern Song" marked the appearance of the song for the first time in true stereo. The original 1969 stereo album featured a synthesized Duophonic variant of the original mono version. A stereo mix of this song also appeared on the Anthology 2 compilation album, but was made up of alternate takes featuring different overdubs and lyrics. The album debuted in the UK charts at #8 selling 19,000 copies in its first week. It also peaked at #15 on the Billboard 200, with 68,000 copies sold in its opening week. In France the album debuted at #13.





http://www.megaupload.com/?d=SY1RMRQ4

01- Yellow Submarine
02- Hey Bulldog
03- Eleanor Rigby
04- Love You To
05- All Together Now
06- Lucy in the Sky with Diamonds
07- Think for Yourself
08- Sgt. Pepper's Lonely Hearts Club Band
09- With a Little Help from My Friends
10- Baby You're a Rich Man
11- Only a Northern Song
12- All You Need Is Love
13- When I'm Sixty-Four
14- Nowhere Man
15- It's All Too Much

· "RAY film soundtrack" - Ray Charles

Ray Charles Robinson (September 23, 1930 – June 10, 2004), known by his stage name Ray Charles, was a blind musician. He brought a soulful sound to country music and pop standards through his Modern Sounds recordings, as well as a rendition of "America the Beautiful" that Ed Bradley of 60 Minutes called the "definitive version of the song, an American anthem — a classic, just as the man who sang it." He also appeared in the 1980 hit movie, The Blues Brothers. Frank Sinatra called him "the only true genius in the business". In 2004, Rolling Stone Magazine ranked Charles number ten on their list of the 100 Greatest Artists of All Time and also voted him number two on their November 2008 list of The 100 Greatest Singers of All Time. Charles himself was significantly involved in the biopic Ray, an October 2004 film which portrays his life and career between 1930 and 1966 and stars Jamie Foxx as Charles. Foxx won the 2005 Academy Award for Best Actor for the role. The very heart and soul of telling Ray Charles' story had to be his music, which is why Taylor Hackford decided to evoke the emotions and events of Ray's life as much as possible through the power of his songs. All the songs are included in the Ray movie soundtrack. From the beginning, Hackford had made a list of the key songs he wanted to appear in the film. Taylor Hackford on the Ray movie soundtrack: "Musically, this film was a very complicated piece. We were using some 40 different songs throughout the film, and using them to tell a story, so when the music ends, the mood is carried over and vice versa. When a song is on-screen, you're seeing that the song came from the emotion and the drama in his life and that the two are necessarily intertwined and related." To help with the task of recreating Ray Charles' music with all the vitality and electric vibrancy it had from the get-go, Hackford brought in musical supervisor Curt Sobel, who was drawn to the scope and what he sees as the importance of the Ray movie soundtrack. "I think Ray Charles was crucial to the history of 20th century culture," says Sobel. "He was the first person to succeed in pooling together everything great about our country's music, the feeling of Gospel, the joy of Boogie-Woogie, the depth of Blues, and turning it into something very unique."






http://www.mediafire.com/file/mmhbc4wnzym/Ray [Original Soundtrack].rar

01- Mess Around
02- I Got a Woman
03- Hallelujah, I Love Her So (Live)
04- Drown in My Own Tears
05- Night Time is the Right Time
06- Mary Ann
07- Hard Times
08- What'd I Say (Live)
09- Georgia On My Mind I
10- Hit the Road Jack
11- Unchain My Heart
12- I Can't Stop Loving You
13- Born to Lose
14- Bye Bye Love
15- You Don't Know Me (Live)
16- Let the Good Times Roll (Live)
17- Georgia On My Mind II

Bonus Tracks:

18- Busted
19- Without Love There is Nothing
20- Don't Need No Doctor
21- Hide nor Hair
22- Sticks and Stones
23- Careless Love
24- You Are My Sunshine
25- Don't Set Me Free

· "King Creole" - Elvis Presley

King Creole is the sixth album by Elvis Presley, issued on RCA Victor Records, LPM 1884, in September 1958, recorded in three days at Radio Recorders in Hollywood. It contains songs written and recorded expressly for the film, and peaked at #2 on the Billboard Top Pop Albums chart. It followed the film release by over ten weeks. The bulk of the songs originated from the stable of writers contracted to Hill and Range, the publishing company jointly owned by Presley and Colonel Tom Parker: Fred Wise, Ben Weisman, Claude Demetrius, Aaron Schroeder, Sid Tepper, and Roy C. Bennett. Conspicuous in their relatively limited contribution were Jerry Leiber and Mike Stoller, who had come to an impasse with the Colonel during the making of the previous movie, Jailhouse Rock, in which they had practically dominated the musical proceedings. Furious over mere songwriters having such easy access to Presley without going through Parker's "proper channels," the Colonel closed off their avenue to his prize client, especially since the duo had also tried to influence Presley's film direction, pitching him an idea to do a gritty adaption of Nelson Algren's recent novel "A Walk on the Wild Side" with Elia Kazan directing, and Leiber & Stoller providing the music. The Colonel put the kibosh on such notions, although echoes of the concept remained in the film, and the pair still managed to place three songs on the soundtrack, including the title track and "Trouble", arguably the film's best songs. Presley's performance of "Trouble" in the film alludes to Muddy Waters and Bo Diddley; he would return to the song for his tremendously successful television comeback special. The songs "Hard Headed Woman" and "Don't Ask Me Why" appeared as two sides of a single on July 10, 1958, to coincide with the release of the film. "Hard Headed Woman," the A-side, and "Don't Ask Me Why" both made the pop singles chart, peaking at #1 and #25 respectively. The album was reisued for compact disc in an expanded edition on April 15, 1997, and again in an audiophile version from Japan on August 25, 2005. For the both reissues, an additional seven tracks were added, including the song "Danny" taken from the same sessions, with six more songs.





http://www.mediafire.com/?qh1w4wnznti

01- King Creole
02- As Long As I Have You
03- Hard Headed Woman
04- Trouble
05- Dixieland Rock
06- Don't Ask Me Why
07- Lover Doll
08- Crawfish
09- Young Dreams
10- Steadfast, Loyal and True
11- New Orleans

Bonus Tracks:

12- Danny
13- Wear My Ring Around Your Neck
14- I Need Your Love Tonite
15- A Big Hunk O'Love
16- Ain't That Loving You Baby
17- (Now and Then) There's a Fool Such as I
18- I Got Stung

· "Jailhouse Rock" - Elvis Presley

"Jailhouse Rock" is a song written by Jerry Leiber and Mike Stoller that first became a hit recorded by Elvis Presley. The song was first released as a 45 RPM single on September 24, 1957, to coincide with the release of Presley's motion picture of the same name. Composer Mike Stoller can be seen playing piano in the film presentation of the song. The single, with its B-side "Treat Me Nice," was a US #1 hit for 7 weeks in the fall of 1957, and a UK #1 hit for three weeks early in 1958. Also in 1957, "Jailhouse Rock" was the lead song in an EP (extended play single), together with other songs from the film, namely "Young and Beautiful," "I Want to be Free," "Don't Leave Me Now," and "(You're So Square) Baby I Don't Care." It topped the Billboard EP charts, eventually selling an additional two million copies and earning another double-platinum RIAA certification. In 2005, the song was re-released in the UK and reached #1 for a single week. The song, which is an example of simple verse form, eventually sold four million copies in the US, thus earning a Double Platinum certification by the RIAA. Also is #67 on Rolling Stone's list of The 500 Greatest Songs of All TimE and was named one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.





http://www.mediafire.com/?5twymzzmoyg

01- Jailhouse Rock
02- Young and Beautiful
03- I Want to Be Free
04- Don't Leave Me Now
05- (You're So Square) Baby I Don't Care
06- Treat Me Nice

Bonus Tracks:

07- Poor Boy
08- Let Me
09- We're Gonna Move
10- All Shook Up
11- (There'll Be) Peace in the Valley
12- That's When Your Heartaches Begin
13- One Night
14- Blue Christmas
15- Santa Claus is Back in Town
16- Don't
17- Doncha' Think it's Time
18- You're Cheatin' Heart

·"Loving You" - Elvis Presley (The original LP, singles & outtakes)

Though it was originally released to capitalize on the cinematic vehicle of the same name, fewer than half of the songs on Loving You were actually included in the film. Not that anyone cared, of course; this collection of hits ("Teddy Bear"), covers ("Blueberry Hill," "Mean Woman Blues"), and lesser-known treasures ("Party," "I Need You So") topped the charts for 10 weeks running in 1957. This is hardly the best example of the King's pre-Army work--and it often seems downright flimsy compared with his Sun releases and 1956 RCA sessions--but Loving You is still a thoroughly enjoyable document of Presley in his exuberant prime.





http://www.mediafire.com/?mwjim2nkqyz

01- Mean Woman Blues
02- (Let Me Be Your) Teddy Bear
03- Loving You
04- Got a Lot o' Livin' to Do!
05- Lonesome Cowboy
06- Hot Dog
07- Party
08- Blueberry Hill
09- True Love
10- Don't Leave Me Now
11- Have I Told You Lately That I Love You?
12- I Need You So

Bonus Tracks:

13. Tell Me Why
14. Is It So Strange
15. One Night of Sin
16. When It Rains, It Really Pours
17. I Beg of You (alternate version)
18. Party (alternate version)
19. Loving You (uptempo version)
20. Got a Lot o' Livin' to Do! (finale)

· "HELP!" LP 1987 stereo mix

Back in 1987 Sir George Martin decided that the original stereo mix from 1965 wasn't good enough for the forthcoming CD release, so he mixed the whole album again, so judge yourselves...

http://www.mediafire.com/?q3oig78wl5cpi7r

1987 mix:
15- Help!
16- The Night Before
17- You've Got To Hide Your Love Away
18- I Need You
19- Another Girl
20- You're Going To Lose That Girl
21- Ticket To Ride
22- Act Naturally
23- It's Only Love
24- You Like Me Too Much
25- Tell Me What You See
26- I've Just Seen a Face
27- Yesterday
28- Dizzy Miss Lizzy