John Lennon/Plastic Ono Band is the debut solo album by English rock musician John Lennon. It was released in 1970 after Lennon issued three experimental albums with Yoko Ono and Live Peace In Toronto 1969, a live performance in Toronto credited to The Plastic Ono Band. The album was recorded simultaneously with Yoko Ono's debut avant garde solo album Yoko Ono/Plastic Ono Band at Ascot Sound Studios and Abbey Road Studios using the same musicians and production team, and featured nearly identical cover artwork. John Lennon/Plastic Ono Band is generally considered one of Lennon's finest solo albums and a landmark recording. Rolling Stone named it the twenty-second greatest album of all time. The "Plastic Ono Band" in the album's title refers to the conceptual band Lennon and Ono had formed in 1969 of various supporting musicians they would use on their various solo albums. After the Beatles' break-up in April 1970, both Lennon and Ono undertook primal therapy with the guidance of Arthur Janov for four months in Los Angeles. Forced to confront the traumas of his childhood (abandonment, isolation and death), Lennon finally let his submerged anger and hurt rise to the surface and dealt with it through his art. Similarly, Ono's concurrently-recorded album, Yoko Ono/Plastic Ono Band was a form of catharsis for her. Returning to England that September, Lennon and Ono called upon Phil Spector, who had produced Lennon's hit "Instant Karma!" earlier that year, to co-produce both their albums with them at Abbey Road Studios. Ringo Starr played drums, while Klaus Voormann played bass. Billy Preston, who had already worked with the Beatles, supplied piano for "God". Lennon performed all guitar duties, playing most of the piano as well. Throughout the album, Lennon touches upon many issues: the abandonment of his parents in "Mother"; the castigation of class issues in "Working Class Hero"; a reminder that despite his rage and pain, Lennon still embraces "Love"; and "God", a renouncement of external saviours. Here Lennon states that he believes only in himself, and his wife Yoko. The album's cover is almost identical to Ono's companion piece Yoko Ono/Plastic Ono Band—the difference being that on Ono's cover, she is lying on Lennon's body. The photo was snapped with a consumer-grade Instamatic camera by actor Daniel Richter who worked as an assistant for the Lennons at the time. The initial compact disc issue of the album listed the title and artist, while the 2000 remastered version restores the original artwork. In addition, the original LP did not feature a track listing on the back. Instead, the back cover showed what appears to be a school photo of Lennon in his youth (circa 1946). John Lennon/Plastic Ono Band was received with high critical praise upon release. Critic Greil Marcus remarked, "John's singing in the last verse of 'God' may be the finest in all of rock." In early 1971, the album reached number eight on the U.K. and went to number six in the U.S., spending eighteen weeks in the Top 100. Phil Spector, a co-producer on this album, played piano on "Love". Contrary to popular belief, John & Yoko produced the album whilst Spector was unavailable during most of the recording sessions. John went as far as to post an ad in Billboard magazine inviting Phil to come visit him for the weekend. "Look At Me" dates from The Beatles period, and is built on a finger-picking guitar pattern very similar to the one Lennon used in "Dear Prudence", "Happiness Is a Warm Gun" and "Julia". Lennon learned this guitar technique from Donovan while the two were in Rishikesh. Curiosuly, the album was released in Japan under the title ジョンの魂, which translates as "John's Soul."
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01- Mother
02- Hold On
03- I Found Out
04- Working Class Hero
05- Isolation
06- Remember
07- Love
08- Well, Well, Well
09- Look at Me
10- God
11- My Mummy's Dead
Bonus Tracks:
12- Power to the People
13- Do the Oz
14- Cold Turkey
15- I Found Out
16- Working Class Hero
17- Love
18- Well, Well, Well
19- Look at Me
20- God
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