· "ON THE ROOFTOP" - The Beatles

The final live performance by The Beatles, was recorded (and filmed) on January 30, 1969 on top of the Apple Building at 3 Savile Row, London. The full performance included "Get Back" (3 versions), "Don't Let Me Down" (2 versions), "I've Got A Feeling" (2 versions), "One After 909", "Dig A Pony" and "God Save The Queen" (which has surfaced on the German bootleg On the Rooftop, fatured here). Portions of this concert can be seen in the last segement of the Let It Be film.

                                         

https://mega.co.nz/#!vRkECSQQ!Y2Rww2Z20WLanzXIMC9o7GM6J9gsTm0xjTurOTsUwsU

00- (Warming up)
01- Get Back I
02- Get Back II
03- Don't Let Me Down I
04- I've Got a Feeling I
05- One After 9 0 9
06- Dig a Pony
07- I've Got a Feeling II
08- Don't Let Me Down II
09- Get Back III

Bonus Track:

10- God Save The Queen

· "YELLOW SUBMARINE" LP stereo

Yellow Submarine is a soundtrack album released by The Beatles corresponding with the film of the same name released on Apple Records (catalogue number PCS 7070 (stereo) / PMC 7070 (Mono) in the United Kingdom and SW 153 in the United States.) "Only a Northern Song" was originally recorded during the sessions for the Sgt. Pepper's Lonely Hearts Club Band album, although it did not appear there. Most of the song was recorded in February 1967. "It's All Too Much" was recorded just before the release of Sgt. Pepper, although it was shortened (from eight minutes) for Yellow Submarine. "Hey Bulldog" (recorded in February 1968) and "All Together Now" (recorded in May 1967) were always intended for the film soundtrack. "Baby You're a Rich Man" was also originally intended for the film soundtrack, but was released as the B-side to "All You Need is Love" instead and was not included in the Yellow Submarine album. Two of the songs on the album had previously been released. "Yellow Submarine" had already appeared on Revolver in August 1966 and as a hit single at about the same time. "All You Need Is Love" had been a hit single in 1967 and had also appeared in the United States edition of Magical Mystery Tour later that year. The song makes its true stereo debut in this album. The song was previously issued in mono or fake stereo on the U.S. Magical Mystery Tour album. The second side features arrangements (recorded specifically for the album) of George Martin's orchestral score. After mixed response to the album upon its release, The Beatles considered releasing Yellow Submarine as a five-track mono EP, without the film score but including the then-unreleased "Across the Universe" as a bonus track. The EP was mastered, but never issued. The Beatles had previously released popular songs from their LPs as EPs in the British market. In contrast to how the film was received, Yellow Submarine is usually considered The Beatles' weakest release, as it featured only six songs by the band. It was one of the few Beatles releases not to reach #1 on either the UK or US charts. Its highest position was #2 in the US (curiously, it was knocked off the top by The Beatles, which had been released two months before). The Beatles did not consider it a studio album, since the four previously-unreleased tracks on it were recorded at various times in 1967 and early 1968.

https://mega.co.nz/#!KFd1DJSR!Wds3Bgh4xRRixX9H-AbErD_yfrdUkP8MWS3xrZERjVg

01- Yellow Submarine
02- Only a Northern Song
03- All Together Now
04- Hey Bulldog
05- It's All Too Much
06- All You Need is Love
07- Pepperland
08- Sea of Time
09- Sea of Holes
10- Sea of Monsters
11- March of the Meanies
12- Pepperland Laid Waste
13- Yellow Submarine in Pepperland

· "THE BEATLES (White Album)" stereo

https://mega.co.nz/#!Td9FWZKS!LrfG4xyLnrZ5RuOooOyJTwb0nVQH5hm8Vl9sCs9r-Yo

Disc 1:
01- Back In The U.S.S.R.
02- Dear Prudence
03- Glass Onion
04- Ob-La-Di, Ob-La-Da
05- Wild Honey Pie
06- The Continuing Story Of Bungalow Bill
07- While My Guitar Gently Weeps
08- Happiness Is A Warm Gun
09- Martha My Dear
10- I'm So Tired
11- Blackbird
12- Piggies
13- Rocky Raccoon
14- Don't Pass Me By
15- Why Don't We Do It In The Road?
16- I Will
17- Julia

Disc 2:
01- Birthday
02- Yer Blues
03- Mother Nature's Son
04- Everybody's Got Something To Hide Except Me And My Monkey
05- Sexy Sadie
06- Helter Skelter
07- Long, Long, Long
08- Revolution 1
09- Honey Pie
10- Savoy Truffle
11- Cry Baby Cry
12- Revolution 9
13- Good Night

· "THE BEATLES (White Album)" mono

The Beatles (aka The White Album) was released in the UK on November 22, 1968 as Apple PMC 7067-8 (mono) and PCS 7067-8 (stereo). Its original working title was A Doll's House, which is the name of Henrik Ibsen's masterpiece play written in the 19th century. In addition, according to the book The Beatles' Album by Geoffrey Giuliano, an illustration was prepared for the cover of A Doll's House by the famed artist Patrick but the plain white cover was opted for instead. Recording sessions for the White Album started with the song "Revolution" on May 30, 1968, and concluded with take three of "Julia" on October 13, 1968. Mixing for the album was completed five days later on October 18, 1968. There are many differences between the stereo and mono versions of The White Album. This album marked the first on the then newly formed Apple label, which had made its first appearance as a 45 three months earlier on August 30, 1968 with the "Hey Jude/Revolution" single, both of which were recorded during the White Album sessions. Also recorded during those sessions were "What's the New Mary Jane?" and "Not Guilty". These two tracks were only available on bootlegs for many years, but were finally released legitimately for the first time 28 years after they were recorded on Anthology 3 in 1996. The Guiness Book of Records lists The Beatles as having sold "nearly two million" copies in its first week of release in the US. Over the years some critics have said that the White Album is too self-indulgent, some have said that it's too long and could have easily been a still better disc.

https://mega.co.nz/#!fEcQBBLR!NWEHBnpv4Fg_4N17LVzm31HZnZV15EukQGXW7ij15fE

Disc 1:
01- Back In The U.S.S.R.
02- Dear Prudence
03- Glass Onion
04- Ob-La-Di, Ob-La-Da
05- Wild Honey Pie
06- The Continuing Story Of Bungalow Bill
07- While My Guitar Gently Weeps
08- Happiness Is A Warm Gun
09- Martha My Dear
10- I'm So Tired
11- Blackbird
12- Piggies
13- Rocky Raccoon
14- Don't Pass Me By
15- Why Don't We Do It In The Road?
16- I Will
17- Julia

Disc 2:
01- Birthday
02- Yer Blues
03- Mother Nature's Son
04- Everybody's Got Something To Hide Except Me And My Monkey
05- Sexy Sadie
06- Helter Skelter
07- Long, Long, Long
08- Revolution 1
09- Honey Pie
10- Savoy Truffle
11- Cry Baby Cry
12- Revolution 9
13- Good Night

· "WHITE ALBUM RECORDING SESSIONS" - The Beatles

Some testimonial recordings and pre-mixes from these caothic recording sessions.

https://mega.co.nz/#!rZUByJiR!W6E1Z1U4XRB-Eq4vvlbJZhy8TqMenz8YABWf9sT0hxk

01- Cry Baby Cry (take 1)
02- Helter Skelter (take 2)
03- Sexy Sadie (take 6)
04- Good Night (take 34 - RM6)
05- When I Was A Robber
06- Hey Jude (take 2)
07- Hey Jude (take 7)
08- St Louis Blues
09- Hey Jude (take 9)
10- Hey Jude (RS1 onto take 1 re-make)
11- Mother Nature's Son (take 2)
12- Rocky Raccoon (take 8)
13- Wild Honey Pie (take 1 - RM6)
14- Dear Prudence (take 1 - mix B)
15- I Will (take 1 - false start)
16- I Will (take 1)
17- Can You Take Me Back (take 19)
18- Step Inside Love
19- Los Paranoias
20- Happiness Is A Warm Gun (overdub track)
21- Happiness Is A Warm Gun (stereo with overdub track)
22- Glass Onion (take 33 - RM2)
23- I'm So Tired (edited from takes 3, 6 & 9)
24- I'm So Tired (Monitor mix A)
25- I'm So Tired (rough stereo mix + overdubbings)
26- Why Don't We Do It In The Road? (take 4)
27- Julia (take 2)
28- Revolution (basic track)
29- Come On, Come On (mono reduction)
30- Revolution (basic track with vocals)
31- Birthday (no overdubs and backing vocals)

·"Let It Be... Naked" - The Beatles

Let It Be… Naked is a version of the 1970 Let It Be album by The Beatles that was remixed and remastered under the direction of Paul McCartney. The album is presented in a form which Paul McCartney considered closer to its original artistic vision: to "get back" to the rock 'n' roll sound of their early years rather than the orchestral overdubs and embellishments which were added by Phil Spector in the production of the final Let It Be album. Paul McCartney in particular was always dissatisfied with the over produced sound on the Phil Spector remixes, especially for his song "The Long and Winding Road", which he believed was ruined by the process. George Harrison gave his approval for the ...Naked project before he died. McCartney's attitude contrasted with Lennon's from over two decades earlier. In his September 1980 Playboy interview, Lennon had defended Spector's work, saying "-He was given the shittiest load of badly-recorded shit with a lousy feeling to it ever, and he made something of it.-" The origin of the Let It Be...Naked project arose during a chance reunion of Paul McCartney and "Let It Be" film director Michael Lindsay-Hogg on an airplane flight in the early 2000s. McCartney and Lindsay-Hogg discussed the unavailability of the film on both VHS and DVD, which led to discussion of a possible remixed "soundtrack" to accompany a proposed future DVD release. In early 2002, McCartney recruited Abbey Road in-house engineers Paul Hicks, Guy Massey and Allan Rouse to go back into the vaults and assemble a brand new studio album from the 30 reels of tape recorded during the January 1969 sessions. Since much of the Let It Be material had been recorded live, many sound anomalies existed on the tapes. Hicks, Massey and Rouse did extensive work digitally cleaning up each individual track of every song before remixing it. Some takes were edited together to come up with the best possible final version. In the case of one song—"Dig a Pony"—one errant note sung by John Lennon was even digitally pitch-corrected. Two songs that had been included on the original Let It Be album, the traditional Liverpool folk song "Maggie Mae" and "Dig It" were both excised, as Paul McCartney considered them studio improvisations and too weak for inclusion. In their place was Lennon's "Don't Let Me Down," but rather than the b-side from the single, a composite edit of the two versions from the rooftop concert was inserted. "I've Got a Feeling" was also presented in a new composite edit of its two rooftop concert takes. "Across the Universe," which actually dates from nearly a year before the rest of the album was recorded, was retained, although stripped of almost all of its overdubs and, for the first time on record, played at correct speed. There is also a different solo in the song "Let It Be". Including versions from the original album and the two compilation albums 1 and Anthology 3, it is the fourth version of the "Let It Be" solo to be released by The Beatles. Another striking difference is in McCartney's "The Long and Winding Road," where the Naked producers chose the last recorded take over the rough early take used by Phil Spector for the original album. The original lyric reads "anyway, you'll never know, the many ways I've tried," whereas on this version it reads "anyway, you've always known, the many ways I've tried." Electric guitar and electric piano are also present, played respectively by Harrison and Billy Preston. Naturally, this version is devoid of Phil Spector's orchestral and choral overdubs; the unadorned take from the Let It Be album can be found on the compilation album Anthology 3. The studio dialogue from the original album was removed, as was the dialogue from the rooftop concert that had originally closed the album. Additionally, the running order is quite different from the Let It Be album. After the release of Let It Be... Naked in 2003, critics referred to this CD—with its simpler song versions—as being the "de-Spectorized" version of the original Let It Be album. It was first released in November 2003.





http://www.mediafire.com/?j2txnmtgmjd

01- Get Back
02- Dig a Pony
03- For You Blue
04- The Long and Winding Road
05- Two of Us
06- I've Got a Feeling
07- One After 909
08- Don't Let Me Down
09- I Me Mine
10- Across the Universe
11- Let It Be

·"Yellow Submarine Songtrack" - The Beatles

Yellow Submarine Songtrack is a soundtrack album by The Beatles for the 1999 re-release of the 1968 film Yellow Submarine released on 13 September 1999 in the United Kingdom and the following day in the United States. It contains only The Beatles songs used in the film, including tracks absent from the original Yellow Submarine album. The extra tracks replaced the George Martin film score from the original release, while the complete score was included as a DVD audio track in the CD/DVD package featuring the album and film. The songs were fully remixed from the original multitrack tapes for this album, something not done for the original Compact Disc release of The Beatles catalogue in the late 1980s except for Help! and Rubber Soul. The remixed tracks of the album feature many alterations and adjustments from the original stereo mixes. Almost all of The Beatles songs included in the film are on Yellow Submarine Songtrack. An exception is "A Day in the Life", which was not put in because EMI did not want too many songs from Sgt. Pepper's Lonely Hearts Club Band to be included. Although all of the tracks were remixed, the songs included on Songtrack are the standard catalogue recordings (versions) that were previously available on other releases. Consequently, the extra verse of "It's All Too Much" or the off-the-cuff rendition of "Think for Yourself" heard in the film are not included on the album. The title track, "Yellow Submarine" contains the line "a life of ease" from John Lennon that had been missing in prior stereo mixes of the song. The multitrack tapes of "Hey Bulldog" were newly synchronized to create the Songtrack version. Due to the way the song had been originally recorded, the piano and drum performances were inseparable for a new mix. They remain on the left audio channel while snare overdubs performed by Ringo Starr are centred. The automatic double tracking that possibly erroneously continued into the first verse on the 1966 stereo version of "Eleanor Rigby" was corrected in the 1999 remix. The vocals by Paul McCartney are centred and slightly out of synch to the orchestration on this mix. The prior stereo version of "Love You To" contains a shorter fade than the initial mono recording. This shortening is retained in the Songtrack version. Acoustic guitars and percussion are situated at the left channel for the new mix of "All Together Now". McCartney and Lennon's vocals are centred while the chorus is split across the left and right. The background vocals heard on the second verse are more audible and the guitar is clearer. The Songtrack version of "Only a Northern Song" marked the appearance of the song for the first time in true stereo. The original 1969 stereo album featured a synthesized Duophonic variant of the original mono version. A stereo mix of this song also appeared on the Anthology 2 compilation album, but was made up of alternate takes featuring different overdubs and lyrics. The album debuted in the UK charts at #8 selling 19,000 copies in its first week. It also peaked at #15 on the Billboard 200, with 68,000 copies sold in its opening week. In France the album debuted at #13.





http://www.megaupload.com/?d=SY1RMRQ4

01- Yellow Submarine
02- Hey Bulldog
03- Eleanor Rigby
04- Love You To
05- All Together Now
06- Lucy in the Sky with Diamonds
07- Think for Yourself
08- Sgt. Pepper's Lonely Hearts Club Band
09- With a Little Help from My Friends
10- Baby You're a Rich Man
11- Only a Northern Song
12- All You Need Is Love
13- When I'm Sixty-Four
14- Nowhere Man
15- It's All Too Much